it is falling like a sun-pigment, down
with three-eyed cues to evoke sentiments,
bringing the yellow with orange with brown,
and the toil of ball-clay-modeled laments.
it drinks the warmth and bathes in lasting sin-
full holds of my fine-textured, genteel hands.
it is the hue that pigments my blotched skin,
and reminds me of the last rain’s soaked sand.
it is the sheath to my patterned truths — pain
that rests and rumbles in wakeful sleeping.
it is the ferrous wonder of force — gained
with a compliant resolve for melding
hopes and despairs with an equal measure,
and dreaming of an eve’s ochrous pleasure.
.
© Anmol Arora 2018
A sonnet (Shakespearean rhymes, sans iambs) for With Real Toads’ Weekend Mini Challenge
Image source (Subtle Ochre by Raju Durshettiwar)
***
I have been working on a new Insta handle for over a month now, for literary and creative posts: @anmol.ha.
For contact, you can reach out to me through my multiple profiles, enlisted here.
The way you used the color to describe the dry season in the first part is amazing… I liked that you didn’t do the iambs. and some really innovative enjambment… I could actually feel the sun through your words
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Now that is exquisite! ❤ I can feel the heat of sun so clearly in your sonnet – the words offer both piercing ache and palpable hope a perfect blend of pysche and emotion that each of us own. Especially like “it drinks the warmth and bathes in lasting sin-full holds of my fine-textured, genteel hands.” ☺
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Thanks, Sanaa! The hope lingers even when we are enveloped by that ache — the heat, the cold, all become arbitrary to the nature of our experience. I am glad that you liked that line. 🙂
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Who does these painting from which you write? This one is mos def ocher and the poem is as well. Well done with this color which you carried through the entire poem. I like “it is the sheath to my patterned truths” because I love swords and this puts me in mind of mine. Brilliant us of color to describe the dry season. Just brilliant.
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Thanks for the kind words, Toni. I had incidentally been thinking of the color through the day — contrary to the dryness of the verse, it rained here all day long and yet the color stayed. So, the challenge suited me pretty well. Ha!
I write first and then look for the art accompaniment unless I am doing an Ekphrastic verse (which I do once in a blue moon). It is as a much a part of my creative process as anything else, sometimes taking half a day to prepare the post after spending the first half writing, reading and editing. I mostly use Google Images and my Tumblr feed (I follow all the art page suggestions) for my search, through different keywords. As you can see, this one is by Raju Durshettiwar. Since this is a not-for-profit use, I include the work and give the credits due to the artist by linking back to its original source. 🙂
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Ochre is such a weird colour – as if its undetermined which way to be – yellowish or brown – so it speaks of both, with a voice both enlivened and deadening – falling into decay. And in some ways, this sonnet speaks of this – this cusp of – of breath held, and the waiting of the long exhale – of how like sand, which can be rock hard, like concrete and yet, completely yielding, and all swallowing. And when I read this poem, I hold a sense of listlessness – of not quite knowing – and when I listen to the music, it is both lovely and sad – melancholic. And the painting, is most beautiful – as light as air and yet strangely grounded; so in some ways, this speaks of both earth and air – and fire – for the heat that transforms – either destroys or emboldens.
(I have no idea if I’ve interpreted this at all, as intended, but these are my overall impressions. All I can offer is this, in the moment.)
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I love your interpretation through these elements and how they correspond with the cognitive processes — listlessness is something that occupies space both in its presence and absence.
Indeed. These elements are malleable, in how they can both be harsh and yielding, encapsulating the form and nature of all living beings.
Thank you for your thoughtful comment. 🙂
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The skill of your rhyming is exquisite. I am in awe.
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Thank you for such a nice feedback. ❤
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‘ochrous pleasure’ is a fine creation – there’s something achey in the first – and seductive in the second, like lots in this clever piece. (thanks also for the melancholy Evening in Moscow piece)
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I like how you find that distinction between the two — dull ache and seductive pleasure form the basis of existence at times.
I too loved the piano instrumental; came across the musician by chance; glad to have incorporated his art in this post.
Thank you for your kind words. ❤
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I love the music you’ve included, HA. Bravo for tackling this difficult prompt with such style.
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Rich words and the evocative nature suite the color and painting beautifully.
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The dry and parched summer sun……………still can make a beautiful sonnet!
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Well you sold me on this one with that “ochrous pleasure”!
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I love how colors and emotions blend. Amazing.
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I got much ochrous pleasure from your sonnet, Anmol, which to me is the colour of India, ‘falling like a sun-pigment’ and
‘bringing the yellow with orange with brown,
and the toil of ball-clay-modeled laments’.
I especially love the lines:
‘it is the hue that pigments my blotched skin,
and reminds me of the last rain’s soaked sand’
and
‘it is the ferrous wonder of force — gained
with a compliant resolve for melding
hopes and despairs with an equal measure’.
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Thank you, Kim. I love how you see it as the colour of India — there is something about it in the air, in our very skins, which I love and embrace in both its harshness as well as its familiar touch. 🙂
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😊
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This is rather brilliantly penned. Just wonderful!
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Absolutely brilliant! Your phrasing is excellent, and the way you describe the colour is so original.
it is the ferrous wonder of force
A new favourite for me.
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That’s really kind of you to say, Kerry. Thank you! ❤
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I agree with Bjorn. Your use of colors is really wonderful.
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The color is warming and welding. Like mining something rich. And the two stanza have such different forces. It leaves my thoughts lingering.
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I enjoyed changing the tone and the mood with that switch in the stanzas. I am glad that you liked it.
Thank you for your kind feedback. ❤
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‘it is the sheath to my patterned truths — pain
that rests and rumbles in wakeful sleeping.”
interesting juxtaposition of peace and disturbance
Happy you dropped by my sumi-e Sunday today
Much🎶💛🎶
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Beautifully written, to show this colour in many new lights.
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Love this, this last three words of your lovely poem my favorites.i
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A nice walk through, HA. Starting with the “with three-eyed cues”(I loved that, wonderful in setting the scene) and ending with “an eve’s ochrous pleasure.”
p.s. I read this last night on the bed and thought I had left a comment. Sorry, but I must not have. Sudden sleepy time I guess.
..
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I am grateful for your kind words. Thank you, Jim. ❤
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Some powerful and eloquent lines in this brilliantly imaged poem. An awesome piece of writing!
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Delightful reading, for me.
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“it drinks the warmth and bathes in lasting sin-
full holds of my fine-textured, genteel hands.” And all the other “pleasures of selfhood” as reflected in yellows. intriguing images. This is my favorite. And I love the music.
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Gorgeous Anmol… epecially the toil of ball-clay-modeled laments.
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Beautiful, loved the descriptions and rhyme scheme.
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So so beautiful Anmol – your words fill my soul, they an absolute pleasure to read, lovely lovely lovely.
(And I love the piano solo too.)
Anna :o]
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It is always wonderful to hear from you — it’s kind of you to share such a lovely feedback. Thank you, Anna. ❤
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Such vivid use of color, beautifully written and I love the music you chose to accompany it.
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I love the painting and the way it works so well with your poem … or vice versa!
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