let’s do it

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love’s bulge seems to be pretty abundant-
lewd words weave a fulcrum of all dreams, wet to touch,
sweet-bitter tones serenade the ears, a silent breath
grazing the neck with a scimitar of nefarious thoughts,

don’t speak, just do the unspeakable, the unmentionable
with a velocity of a soaring plane, upending us into submission,
this is the art work people gawk at and fail to encompass
into any coherent knowledge, its deprivation, its salvation,

spilled paint is the canvas for this action filled space, love is
swallowing its saliva and thick puddles of misery foam at those
silent, nurturing lips. your mouth is my mouth is your mouth.

let’s do it. let’s unmake love.

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Linking it up with Poets United Midweek Motif

Also read this: this vulgar handiwork of time and let’s draw blood
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this vulgar handiwork of time

 

the cigarette butt gets charred in his fist,
his belt sneaks out of a loop
penetrating the orifices of the wind.

she complains of the food not cooked well,
to hell with the homie, since the mad uncle of
KFC is so hypnotic, handing out lollipops,
but not to the random connoisseur sitting
at the roadside, muttering abuses of
disproportionate shapes and sizes.

where there is sanity, there are decapitated
fingers tapping on lurid screens, lapping to
the other side 5 kms away, 100 meters are
too desperate, after all.

who wouldn’t want to suck the lactating nipples
of this evening, and
bite into the rhetoric flesh of silence that
encloses this open-to-all soirée.

we are not indelible, nor are we buttressing unsaid
fetishes in our guts, so why bother about it,
shadows won’t question, lights would, but for that
we are left clinging to these lampooned lamp posts.

there is always another evening, let’s keep our end
of the bargain after all,
there is always another evening, let’s stay desolate
once more.

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Linking it up with Poets United

untitled (verity)

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where do truths come from and where do they go to die?

in this dreary consolation of time, I can see the whirl
of their wheels, and banished desires living on scraps.

if you’d told me of this night two nights back, I’d have believed
but never more.
who’s to say when the flowers droop and colors fall off of the sky?

it’s an inlaid embroidery; intricacy paves the way for simplicity –
I see babies cooing to each other, and people fucking their lives up
in search of one consoling hand. I see men showing junk, and women
trying to hide their breasts, both from an obsolete sense of loss.

where do lives begin and where do they fall over?

in this nest of living and unliving, dying and undying,
I carve lines into the air, of desire, of an unintended mirth
and we laugh. We laugh, we weep, but we just can’t hold each other.

we just can’t hold each other up anymore.

things fall apart.
my lips bleed, my body’s sore and the sour taste lingers in my mouth.
things fall apart.

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For “A Skyflower Friday” writing prompt at With Real Toads.

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let’s draw blood

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blood transfusion in a fucked up poem:

eyes meet, hearts melt into puddles of misery,
a guy shot a man, and a man a guy
at midnight when the sky was pistachio-green
and earth slightly shifted beneath their feet.

love is common place – words are the dregs
of tea left in my battered mug, hugs are given up
in arms that rattle like broken windows, and

they dare say,

*“This is not what we came to see…”

.

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*”This is not what we came to see” is quoted from Brian Patten’s poem The Projectionist’s Nightmare.
Linking it up with Poetry Pantry and With Real Toads.

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a semblance of sanity

unbound,
a fanged sun appears in the sky,
spewing light that digs into the skin,
forming crevices of an uninhibited tomorrow.

it’s an initiation, a baptism from the past
as little kid fingers hold you apart
from the lethal essence of your own myth.

I bite my own tail, unbound, I see faith
in spontaneity raveling from its burrow,
I hear the rustle of the grass beneath my feet.

hunched back, I stand for the venomous kiss,
light draws caricatures on my face,
waiting, I stand, hunched back

for all that comes when the blood freezes over,
and the lips turn blue,

I beget death so that I can live.
I beget chaos so that life fulfills.

unbound,
the fanged sun pierces the scales
of my existence.

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Linking it up with With Real Toads.
The legends of America describe the snake totem with following terms: “Impulsive, primal energy, shrewdness, rebirth, transformation, initiation, and wisdom”.

I made a post today particularly because of this :

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a good night kiss

how it is so that smiles are dripping down his chin
and his eyes are capturing rainbows in their delight, oh!
“Annihilation,” the world cried.

he is the abysmal beauty in the hourglass of night, he
stands tall like a crane snatching stars from the sky, oh!
“Annihilation,” the world cried.

how he traces the outline of his cracked lips and digs into
napalm skin, how his saliva coats the lengths of desires, oh!
“Annihilation,” he cried.

he falls down the cliff, and breaks open like dreams; he sings.

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Linking it up with the prompt titled “the sisters Death and Night ~ Micro Poetry” at With Real Toads.

lash me by your wind

convergence-of-the-four-winds-michelle-vynConvergence Of The Four Winds by Michelle Vyn

be the wind of lost thought
seeking redemption of ideas

that burn

inside the hollow eyes,

have you ever thought of that pink scarf,
bleached, tattered, zooming through the sky
like a fake smile on your lips?

have you ever heeded the power of a blow
of air on the birthday candles, how it
erases the years lived?

be the wind that you can’t be,
be a smelly fart if need be,
be an ode to nature, or
a quatrain that seeks nothing.

do you know of the neck
that was adorned atop the light
house, where I stood, the wind:
my body, my sheath, my life,

and how it felt to be suspended
with nothing else to spare
but for a breath of air,
hair ruffled,
silences bespoken;

do you know that neck
belonged to me?

I died that second,
and I have been dying
thenceforth.

I am the wind, I am
the power,

and I am invariably caught
in this struggle.

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Image source
Linking it up with Poets United Midweek Motif.